She asks if he lives with his family and he says no. He’s really been taught hospitality and manners. Tan’s gone and gotten himself something to drink, without offering Eun Sang anything. Eun Sang finally grabs her suitcase and carries it down the stairs. Eun Sang’s jaw is hanging open as she surveys his digs. They walk through double glass doors and it looks like the lights are motion activated, because he doesn’t do anything except wave the bag he’s carrying in the air to get them to turn on. Of course, Eun Sang decides to go back to Tan’s house. No one does that when they’re in the car. Why does he have his flashers on? He’s sitting in the car right there. So is she going to come or not? As she tries to decide, I notice a blinking and I realize he has his flashers on. I laugh because that’s a ridiculous question, just based on *his car.* He replies that he doesn’t know if it will be safer, but it’s nicer than where they are now. She looks like she’s a little choked up, but she asks him if he’s sure that his home is safer than where they are. He asks her if she wants to come to his house as gentle music plays. This time it looks like she’s really grateful that he’s there. "The Heirs" is directed by Kang Sin-hyo and written by Kim Eun-sook and features Lee Min-ho, Park Shin-hye, Kim Woo-bin and Jung Soo-jung.The episode starts with Tan coming back.
And in that respect, her struggles are only just beginning. But for the most part she has little patience for the brand of verbal repartee all these rich kids engage in on a daily basis- more than anything else she just wants to relax and calm down. It's textually revealed this episode that Eun-Sang is, in fact, a very intelligent girl in addition to being such a hard worker. Of course, all of "The Heirs" can be described in similar fashion. His very indirect, deliberately witty way of interacting with Eun-Sang is terribly off-putting. The way Kim Tan continues to play through this farce, while obviously funny, also reveals a discomforting part of his character.
It's practically a running joke at this point that, even though Kim Tan now lives in the same house as Eun-Sang, she's completely clueless, and only knows him abstractly as "the second son". Kim Tan is a pretty messed-up kid, and his filial relations are a pretty big part of that. Neither of these portraits are terribly reassuring ones. Likewise, we finally get a good look at who Han Gi-Ae (played by Kim Sung-ryung) is in the context of dealing with her son. The main character to demand attention this episode, though, is Kim Nam-Yoon (played by Jung Dong-hwan), who has decided for reasons as yet unclear that he will be the one who forces the plot to move forward regardless of Eun-Sang's wishes. Whenever other characters start casually discussing in the most casual terms ridiculous sums of money like they were nothing, well, what other reaction is there? Fate has conspired once again to put Eun-Sang on a collision course with the overly ambitious society she really dislikes, and I particularly like the scene where Eun-Sang just spells out why the whole thing makes her uncomfortable even though she knows it shouldn't. It's just not something that comes up that much because for the most part this drama is, appropriately enough, about "The Heirs".Įxcept when it's about Eun-Sang, of course, and I must admit I'm impressed at how well she works as a perspective character while being the only teenager in this entire cast who doesn't stand to inherit a massive family fortune. Multiple new romantic subplots manage to pop out of nowhere, and we even get a moment to remember that, hey, technically, the parents of the two crabbiest heirs are in a romantic subplot, too.
#The heirs kdrama episode 5 how to
This drama has a really weird take on romance that I'm still not totally sure how to compartmentalize.
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